This Version of Us cover

Contemporary Romance · Magical Realism

Coming soon · Sept 2026 · Revised draft

This Version of Us

Being known is not the same as being loved.

He knows Priya Shah's laugh before he has earned the right to hear it — from a life that does not exist in this world. For Aran the visions feel like proof. For Priya, being known without consent is a door left open in the dark.

a novel by Mira Lavelle

The Story

A door left open in the dark

Aran MacLeod knows Priya Shah's laugh before he has earned the right to hear it. He knows the lavender at her window, the warmth of her hand, the violet-pewter pendant at her throat. He knows them from a life that does not exist in this world — except in visions that arrive uninvited and feel more real than memory.

Two doctoral students, a rain-soaked campus, and an impossible bond neither of them asked for. For Aran, the visions feel like proof. For Priya, who has already survived one person who decided he knew what was best for her, being known without consent is not romance. It is a door left open in the dark.

When Aran lets what he has glimpsed govern what he does, the harm is real — and so are the consequences. As an abusive mentor and a cruel institution close in on Priya's funding, her visa, her future, Aran must learn the one thing the visions can never teach him: that love is not certainty. It is asking. It is waiting. It is letting the other person choose.

Maybe that world is real. Maybe it is one version of us. But it is not a contract this version of me signed.

The Cast

Knowing is not permission

🌧

Aran MacLeod

The One Who Sees

A doctoral student haunted by visions of a life he and Priya may share elsewhere. He fails believably, and must learn that a connection happening to him is not the same as it belonging to him.

Priya Shah

The One Who Chooses

A fine-arts painter, competent and guarded, who has survived a man who thought knowing her was the same as having her. She refuses to confirm the visions — keeping her own agency intact.

Vance

The Mentor

The institutional mirror of Aran's private failure: a man who believes knowledge entitles him. His pressure on Priya's funding, visa, and future is the cruelty the visions can't excuse.

👥

Raj & Zara

The Circle

A Greek-chorus friend and a steadying ally — the warmth that lets the dread breathe, and the ones who remind Aran that being known is earned, not granted.

🐈

Violet

The Trust-Barometer

A purple-collared cat with a judgmental face and democratic affection. Violet trusts what bodies do, not what they mean. You feed the cat. You keep your hands still. The cat decides — and in a story about consent, the cat is never wrong.

Themes

Magic can reveal possibility. It cannot create permission.

Consent over Certainty

Love is not a verdict the visions hand down. It is asking, waiting, and letting the other person choose — even when you are sure you already know the answer.

Being Known vs. Being Loved

Aran has glimpsed an intimacy he never earned. The book's load-bearing line — knowing is not permission — refuses to let recognition stand in for relationship.

Harm and Repair

When Aran lets what he has seen govern what he does, the harm is real. He repairs without being rewarded for it, because accountability is not a path back to the prize.

Possibility, Not Entitlement

The magic stays ambiguous on purpose. A life glimpsed in another reality is one version of them — never a contract this version of either signed.

For readers of The Invisible Life of Addie LaRue, Weyward, and Beach Read who want their romance lyrical, their magic ambiguous, and their consent non-negotiable.

The Book

A standalone novel

This Version of Us
Coming Sept 2026
Standalone novel

A complete, self-contained love story in twenty-two chapters — no series commitment, no cliffhanger. One book, one ending, freely chosen.

Read the Opening

Chapter One

This Version of Us · Standalone

The First Impossible Thing

The first impossible thing was not the vision. It was the color.

The window was fogged at the edges, and I had been standing at it long enough to draw a small circle in the condensation with one finger without noticing. My thumbnail had gone white from the pressure. I looked at it, then back out at the courtyard, and the circle stayed where I had left it, a clear ring in the grey.

The library emptied this way, late afternoon in October, in waves. First the undergraduates who treated rain as a personal affront and fled at the first thickening of the sky. Then the postgraduates who stayed until the caffeine ran out and the screens blurred. Then nobody.

My thesis was open on the table behind me. It had been open since two o'clock, which was four hours ago now. The red annotation stopped two-thirds down a page I no longer remembered writing, and the blue ink had not started.

And then the scarf. A slash of purple. Wrong color for that sky. My eye caught it before I decided to look, and I went still.

Priya Shah. I knew her from seminars, from corridors, from the way she claimed a library table three mornings a week with a coffee cup and a notebook written in violet ink. Fine arts, doctoral. Once, before a seminar began, I had heard her correct someone's description of a slide. Not purple, she had said, without heat. Dioxazine violet pretending to be respectable.

Then she looked up. Not scanning, not glancing at the building by chance. Directly at the library window. At me, or at least at the lit rectangle I occupied.

I pushed through the south exit, and the cold air never arrived. What arrived instead was warmth. It came from every surface at once, and the ground was different, not flagstones but packed earth alongside grass, and the grass was the color green is supposed to be before you live somewhere that mostly forgets it.

She was beside me. A lavender dress. Her hair its natural dark brown. The nose ring gone. There was nothing guarded in her face here. Then her hand brushed mine, and something rose in my chest, unformed and undeniable. I did not know what it meant. I only knew it had happened to me. That was not the same as it belonging to me.

End of sample · This Version of Us, Chapter One of twenty-two

Coming September 2026

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He knew her in another world. In this one, she gets to choose.

Twenty-two chapters. A lyrical love story about magic and consent, harm and repair — and the difference between being known and being loved.